LEADING EXPERIENCE IN MAKAM PERFORMANCE (ON THE EXAMPLE OF THE WORKS OF SHERALI JURAEV, ORTIK OTAJONOV, AND BOTIR ZAKIROV)

Abstract

A number of new works presented to listeners in the world of modern Uzbek theater are currently causing various opinions. The issue of nationalizing stage songs has not lost its relevance for several years. Because it is precisely contemporary pop art that most appeals to the younger generation, who is considered our future, and we can use the service of this art in shaping in their hearts such feelings as love for the Motherland, humanity, respect and attention to national values. But, unfortunately, there are cases in this art world that cause various disputes and disputes. One such issue is the interconnectedness of status and the modern Uzbek stage. This article discusses best practices in maqom performance.